Wimberley tripod head

Throughout this project I have been testing out the Wimberley Head version II. The Wimberley Head (WH) is a specialised tripod head aimed at photographers using large, heavy telephoto lenses. I was keen to put it through its paces to see how it performed.

My main interest in a tripod head is whether it allows for easy and accurate control of a lens. The WH has been cleverly designed to allow you to rotate a large lens around its centre of gravity, which essentially means that a heavy lens can be moved about without any effort at all. I found

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Wide Star

Tokina fills out the focal length of a popular favorite.

Tokina has recently shown remarkable success in controlling distortion at ultra wide focal lengths, while keeping prices low. This new 12-28mm f/4 AT-X Pro DX wide-angle zoom for Canon and Nikon APS-C bodies ($599, street) continues that fine trend.

The successor to Tokina’s hard — to-keep-in-stock 12-24mm f/4 PRO DX II of 2003, the newcomer boosts the focal-length range— our Nikon-mount test lens is the full-frame equivalent of an 18-42mm; for Canon it would be about 19-45mm. It also has a new autofocus motor and sensor, plus two spheric elements

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Wide-angles and portraits

While a telephoto is the lens of choice for portraits, you shouldn’t dismiss wide-angles. Understand how they work, and you can use them to capture striking portraits.

THE THOUGHT OF sticking an ultra wide-angle zoom on a camera for shooting portraits will be an alien concept to many. However, it’s a technique that is popular with millions of DSLR photographers the world over, in particular with lifestyle, fashion and wedding photographers. The main reason being to make the most of the key characteristics of this type of lens, including lens distortion, extreme depth-of-field, warped perspective and converging verticals.

Although it’s

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Nikon 28-200mm f/3.5-5.6G

By Andy Teasdale

I work as an international Mountain Guide and am a very keen photographer Lugging a ton of kit around the mountains doesn’t work (or me; my gear needs to be as light as possible l carry a full frame DSLR. because it produces fantastic results — but everything else needs to be light.

When I’m working, mountaineering and ski touring I take the Nikon 28-200 t/3.5-5-6G lens. It is plastic small and unstylishly silver, but it works brilliantly if I need it to perform faster I increase the ISO, saving the need for VR

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Whats depth of field all about?

Depth of field is an indispensable creative tool — but what exactly is it, and how can you control it?

Depth of field, or DoF for short, is the distance between the nearest and farthest objects in a scene that appear acceptably sharp in a photo. We say ‘acceptably sharp’ because only one point will be truly razor-sharp in your pictures, as your lens can only focus at a single distance. However, the sharpness falls off gradually both in front of and behind the point you’re focusing on, and the depth of field is a measure of how far this

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If you’re like me and collected all things new and digital during the ’90s, then you have at least one old, ridiculously low-resolution webcam lying around. About a year ago, when I was living in a high-rise with great views across a large nature preserve, I figured out how to turn one of these things into a surprisingly good daytime telescope. By feeding the webcam’s CCD with a telephoto lens from my 35mm camera, I got a video scope that could observe wildlife and identify license plates from quite a distance.

Any type of wood will do, but it must

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Use manual focus

Take some time to learn when manual focus is the better option, and how thinking about focus distance can lead to better images

THE VAST majority of photographers take autofocus for granted, but it wasn’t that long ago that manual focus was the only option. And it still has a huge part to play, particularly if you want to get the most accurate images possible.

For some subjects, manual focusing will be far too slow. However, it’s great for the type of shots that most enthusiasts take on a regular basis. You may even find the manual method faster and

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WITH A WIDE-ANGLE LENS, your first thought is probably landscapes — and they’re certainly great for capturing broad, sweeping views. Another good time to grab a wide-angle is in tight spaces, particularly interiors when there just isn’t room to move back.

Wide-angles can also play to your creative side, making everyday subjects look excitingly dynamic with exaggerated perspective effects. This is not a characteristic of the lens itself, as perspective

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Tunnel lover

Documenting big construction jobs.

How did you start shooting construction sites?

I started taking photos of a tunnel project in Portland, OR, as part of our construction work. Originally, the photos were for internal use. Then the City of Portland hired me to document other construction. I have since photographed projects for my current employer, Jacobs Associates, and other clients. It varies, but I visit about 15 to 20 sites per year. Although Jacobs Associates values my photography skills, engineering geologist is my prime occupation.

What kind of access do you get on a tunnel project?

Generally, I have access

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Reflex 300mm f/6.3 MF Macro £279

Affordable 300mm catadioptric (gla ss and mirror) lens for Micro-Four

First impressions of Tokina’s Reflex 300mm f/6.3 are very good. The lens has a simple design that devotes the majority of its all-metal barrel to a generous manual focusing ring with object distances marked in both metres and feet. There are no other switches or controls of any sort. Focusing is a little stiff, and a more prominent grip would doubtless make rotation easier, but the movement feels very smooth.

Most lenses provide about 90° of rotation on the manual focusing ring but Tokina’s

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