Twilight of My City: On the Personal in the Project

How does one choose a photographic project? How does one project differ from the other? How does one photograph time, or the passage of? Can we photograph something that does not even exist anymore? Is a personal body of work merely personal?

After a six-year project on Kashmir, I was emotionally sapped. I wanted to take on a project through which I could connect with myself. I wanted to look inwards. And thus began a journey of going back to my roots, my memories of growing up in old Delhi.

I thought this was going to be a very simple

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