**Our ancestors possessed such knowledge, from which today's "civilization" of the Earth unbelievably far. Yes, it's hard to believe and even harder to imagine, but it is true. Evidence in the text below …**

We are always trying to convince Russia that the "educated" a thousand years ago in baptism, we are so primitive, "barbarians who speak the language is not clear …", and all that we have achieved all this only due to the more ancient civilizations: Egyptian, Greek and European. Unfortunately, this point of view, enforce domestic "pseudo-historians" who hold still Norman and other theories of origin of the pro-Western Russia.

We are told that we build again, taught the Greeks, Italians, and others like them. However, a great number of facts and the analysis showed that in old "seven times" were laid knowledge used not only Russian architects, architects and other nations. This knowledge carried the in-depth information about the harmony of the universe, as reflected in the numbers.

**Measure**

History is full of mysteries of ancient Russia. But one of the most enigmatic of its achievements — the measuring system used in the construction of temples and other buildings. Architectural monuments demonstrate the harmony, as in the aesthetic and architectural content. It is argued that de church has seven feet at the base passes Roman, Greek — Greek orgy great fathom — Swedish landmark elbow, and royal — Egyptian royal cubit … In **other** words, the Slavic people allegedly was not able to introduce a single measuring instrument, and therefore unconsciously Collect and use of knowledge, the turned the neighboring peoples. From this perspective, even the suggestion of the possible existence of strict proportional system of ancient fathoms is just incredible.

However, a prominent architect A. Pilecki managed to get the scheme, which he called "Old seven times" that shows the relationship between the system fathoms ancient. This is sort of a numerical matrix, the most important feature of which is that it is the first to show the essence of ancient fathoms deep, with the basis of the golden proportion?

It is known that in Russia, the main measurement tool was seven feet. They had several dozen. The most common were — administrator (284.8 cm), the great oblique seven feet (249.6 cm), the great (244.0 cm), Greek (230.4 cm), the Treasury (217.6 cm) , forward seven feet (216 cm), aqua (197.4 cm), church (186.4 cm), fathoms (183 cm), folk (176.0 cm), Mason (159.7 cm .), simple (150.8 cm), small (142.4 cm) and others (AF Chernyaev "Gold of Ancient Russia. Russian matrix — the basis of golden proportions." Moscow, 1998).

Moreover, the decision was not fathom immutable tool any craftsman could invent your own personal yards. The architect in his practice, as a rule, used a set of three to five fathoms. To measure the length, width and height used different yards. In the measurement, or the construction of one and the same object may use different, disproportionate to each other yards. But the main thing was that they had to adhere to fathom strict proportion, in fact commensurate proportions of the Earth (its distance from the center to the poles to the equator, and so the proportion of building an even number of times proportional to the volume of the Earth.

The main instrument, according to Academician BA Rybakov, to calculate and measure the design and construction in Russia enjoyed "measure" (photo fragments Novgorod measure below), are two tightly folding bar coated with the three faces of risk management, a a sort of slide rule (Fig. 1). This instrument was found during excavations in Novgorod. The numbers are likely to remain in the lost part of the breakup. And because the method of measure is not entirely clear …

At one Meryl three different scales, and in the opinion of Academician B.A.Rybakova, it means that we face — current architectural tool similar to a slide rule. And each of its scale, apparently, a proportional **fathoms**. He began to understand and find out: the sum of the lengths of cells on each side of the **measure** found to be a policeman fathoms (284.8 cm). And on Meryl "shaping" the size of all 14 fathoms "seven times." Fishermen Novgorod measure restores a rod containing the elements of the set pieces than three fathoms: dimensional (pit), the great (oblique) and direct (simple), but in an unusual proportion of old division — each seven feet divided into 21 elements

According to BA Rybakov, this unusual division gives the architect the opportunity to operate the ancient elements of each fathoms for the reproduction of architectural details and structures of circular shape. As with any diameter of the circle, the diameter is divided into 21 parts, in the circle with great accuracy will be installed 66 of the same segments. This division has been known since ancient times, as the ratio of Archimedes in a 22:7 aspect ratio = 3.1428, which makes possible the construction of any circle with an accuracy of 0.05% and the transaction of transfer of any segment of the circle and the circle (arc) in the linear measures.

Of course, the measure could use only the initiated. In this case, they needed to know how many and which segments cells measure add or subtract to get the desired preset ratio or seven feet. In any case, all the dimensions of future structures subordinate harmony "golden mean." During the construction of places of worship his every parameter measured three options yards.

Imagine fathoms used in the form of a decreasing number and find the numerical ratio between them, reducing them to Table 1. As seen in Table 1, all fathoms relate to each other in accordance with the laws of the golden section, the golden wurf through appropriate coefficients 1.618 and 1.309. . And just a few yards from the group of several "break" the general order (1.102 instead of 1.059, 1.187 = 1.236 1,309:1,102 instead, 1.362 = 1.102 x1, 236 instead of 1.309), staying within the matrix, but in the other lanes.

Since harmony is one of the properties of the golden section, and the number of 2 — octave tempered musical scale and form small seconds, then it was assumed that the small second, equal to 2, corresponds to a factor 1.05946 … is a step in the vertical Russian matrix and provides it musical harmonic structure.

The introduction of a meter as the unit has violated these proportions and harmony in the plant. Now, in all the buildings in terms of size are parallel or perpendicular to each other. Such premises — are dead. In older buildings it is not, because length and width were measured in different yards, and this led to the fact that in terms of construction of symmetry-breaking, and everywhere there were life-giving angles. When the position in this room create a sense of revival corners, and in front of the room as it changed in size.

The fact that in this area there is no negative-hidden — standing wave flow primary matters ("inhomogeneous universe") is pumped out of human energy. It appears cavity structural effect, which opened VS Grebennikov. In areas with such a structure is changing dimension in areas of narrowing and a change in the flux density of primary matters — as in a flood of light lenses. The intensity of the flow affects the well-being. This once again confirms the idea that our ancestors retained part of Vedic knowledge possessed by the Slavs to the last global catastrophe.

Ancient architects, as the International Academy of Informatization of the UN AF Chernyaev when designing structures did not calculate, because this was not necessary. Having "seven times", the architect chose commensurability yards by rule groups, as He knew that only by following the procedure — canon — you can get a beautiful pair of proportions and harmony. And the proportions are calculated as they were originally laid in fathoms length (see Table 1.). A set of several fathoms, selected by the canon, always constitute a proportion (1,618), the number of times the gold. Moreover, the canon is not depended on any physical effects, in contrast to the meter, the standard length of which depends on the temperature and other effects. Seven feet in the form of a rope is deformed evenly, so the proportions remain the same.

**All dimensions fathoms, except in extreme, can be connected, as shown more AA Pilecki, with dimensions of human following relationship:**

Table 2. Human growth

Numerator — the size of the position with his hand raised in the denominator — the height of a man.

Very small — 176 / 142.4

Small — 186.4 / 150.4

Below average — 197.4 / 159.7

Average — 205.5 / 166.3

Above average — 217.6 / 176

High — 230.4 / 186.4

Very high — 244 / 197.4

Here, the coefficient relating the boundary values in the range of appropriate human growth is 1.236, for example: 230.4 / 186.4 = 1.236.

For many centuries, the lack of a uniform standard would not hurt, but more than that — promoted the construction of the magnificent, aesthetic nature of the structures is proportional because in ancient architecture, all were three-part division.

Termwise tripartite division of the body (wurf) form a system of mutual proportioning and therefore are inseparable. It should be noted that, for example, in nature, in biological bodies in the structure of the human body there is a three-part division of the time. For example: the fingers and toes have trehfalangovoe structure, hands — trehchlenistoe (arm-forearm-wrist: 20 years: 32,3-24,5-18,8 cm), the same leg (thigh and ankle-foot: 45, 4-37,5-27,0 see the scale size of the body (in anthropology threefolding also distinguished: the upper segment — from the top of the head to the base of the neck, the average length, and torso — from the base of the neck to the hip joint, the lower segment — from the hip joint to the end of the toes: 25,3-51,8-109,9 see). numerical relationship between body size, equal to 1.309, as a golden wurf (box VI, GN Korobko "Golden Ratio and the man . "- M., 2002. 394 with., ISBN 5-93-93-130-5). This can be seen in Table 1..

Vurfnye proportions can identify groups of relationship with a single source principle. Ordinary binomial proportions show only differences vurfnye — community of a set of three-term relations.

And if the design has a three-term relation vurfnoe division, no matter how the observer moving relative to it, the angle of view of A, B, and so will always have the same value wurf and moving observer will perceive the ever-changing, remaining aesthetically pleasing , harmonious design.

During the reign of Peter I Russian breech fathom spoiled by changing the length of 4.3 cm, and putting it in seven English **feet**.