Meet — Collection Waldemar Dzhulsruda. "Waldemar Dzhulsrud was a native of Germany, who moved to Mexico in the far end of the XIX century. He settled in the small town of Acambaro, which is 300 kilometers north of Mexico City. There he started his business — trade in hardware, — bringing him quite a decent income. A visit to Dzhulsrud fond of archeology. In the early twenties of the XX century with the Padre Martinez discovered the underground monuments of culture Chupikauro eight miles from the hill of El Torso …
Waldemar Dzhulsrud well versed in Mexican antiquities, and therefore knew immediately that the findings on the hill of El Toro can not be attributed to any known at the time the culture. Dzhulsrud began his own research. However, not being a professional scientist, he went first very simple — hired a local peasant named Odilon Tinajero, promising him to pay one peso (then it was equal to about 12 cents) for each whole artifact. Therefore Tinajero was very careful during the excavations, and accidentally glued the broken items, before taking them Dzhulsrudu. Thus began to form a collection Dzhulsruda, replenishment which continued by his son Carlos Woldemar Dzhulsrud, and later his grandson, Carlos II.
In the end, the collection Dzhulsruda made tens of thousands of artifacts — according to some sources, there were 33.5 thousand, on the other — 37,000! "
Under this certificate is placed Figure 1 with the signature and the author's comments: "Obviously, the dinosaurs were once among the ancient race of domestic animals." I am very interested in it and I decided to read about the man in more detail. On the Internet I found the following information: "But the most interesting event in his life occurred twenty years later, in July 1944. Early in the morning he made a horse ride along the slopes of the hill of El Toro and all of a sudden I saw a few hewn stones and pottery fragments protruding from the soil. After seeing the strange findings Dzhulsrud came to the conclusion that they can not be attributed to any known archaeological culture. Ironmonger decided to start their own archaeological research and hired a local peasant named Odilon Tinajero, promising to pay him one peso for each detected artifact. Therefore Ginahero was extremely careful during the excavations, and accidentally glued the broken items, before taking them to the employer. Thus began to form the famous collection Dzhulsruda, the completion of which worked first son of Valdemar, Carlos Dzhulsrud and then grandson, Carlos Jr..
In the end, the collection has become Dzhulsruda total nearly 35,000 artifacts. This is mainly figurines of different varieties of clay, molded by hand and processed by open burning. The second category — the third sculpture in stone — ceramics. The most interesting fact was that the entire collection was not a single instance of a recurring sculpture. Sizes vary from figures ten centimeters to one meter in height and a half long. In addition, the collection contains found in the same musical instruments, masks, tools made of obsidian and jade. Along with the artifacts were discovered during excavations of several human skulls, bones and teeth of horses mammoth ice age.
The collection Dzhulsruda there were plenty of anthropomorphic figurines representing almost a full set of human racial types — Mongoloid, Negroid, Caucasian population, and other Polynesian style. But this was not a major sensation. The most puzzling thing was that some 2,600 statues represented the image of dinosaurs. And the variety of types of fossil reptiles is truly astounding. Among them are easily recognizable and well-known fossil species Science: Brachiosaurus, Iguanodon, Tyrannosaurus river, Pteranodon, Ankylosaurus, plesiosaur, and many others. There are a huge number of figurines that modern scientists can not identify, including the winged "dinosaur-dragon." However, the most striking is that the collection contains a large number of images of the person with the dinosaurs different species. Also in the collection is now extinct mammals — American camel and horse of the Ice Age, the giant ape and other Pleistocene period. "
I understand that Waldemar Dzhulsrud stumbled upon an ancient museum on the history of humanity, where the exhibits were presented with clay figures. In some of my articles I've written about what archaeologists have excavated human skulls are sometimes excellent state of preservation. My reading of the inscriptions on them showed that they were museum exhibits, samples, prepared to long-term storage for many thousands of years ago. So the chance finds of ancient museums — the fact still has not found in the archaeological literature, not only explanations, but even a mention. And just because the ancient people, according to modern archaeological concepts are treated as primitives terrible, unable to museum work.
As I can tell from personal experience, rather than the discoverer of awards and honors expects obstruction and defamation. What was the fate of the Dzhelsruda?
The history of the Dzhulsruda
"It is this component of the finds from Acambaro, and was the occasion for the long history of the accreditation of the collection and its owner. In many ways, this is understandable, because the fact of co-existence and the close interaction between man and dinosaur not only refutes the linear theory of evolution theory of the origin of species on earth, but comes into irreconcilable contradiction with all the mod officially adopted the ideological paradigm. When, in 1947 at his own expense Dzhulsrud published a book about the figurines, the official science has not shown any interest in her. And further recognition to the collection come with great difficulty.
In 1950 he arrived in Acambaro American journalist Lowell Harmer. He was present during the excavations on the hill of El Toro, and even took a picture with Dzhulsruda newly excavated dinosaur figurines. He was followed by Los Angeles-based journalist William Russell published an article about the excavation Dzhulsruda a photo essay. In its publication Russell pointed out that the artifacts were removed from a depth of 5-6 feet (half a meter), and many items were entwined by roots of plants, so it did not raise any doubt about the authenticity of the findings. These publications have played a role in promoting the collection Valdemar Dzhulsruda and punched a hole in the conspiracy of silence academics.
The thesis of the counterfeits in 1952 officially denied and Mexican authorities. Then the superintendent of the National Institute of Irrigation Francisco Sanchez said he could clearly state the absence of a ceramic production in Acambaro. The Mayor of Acambaro Juan Carranza also issued an official statement in which it said that the results of a special investigation conducted in the area, it became clear that the city and its surroundings there is no man who would be engaged in the production of such products. History professor Ramon Rivera interviewed local elders and learned that over the previous hundred years in Acambaro never encountered anything like the scale ceramic production. However, for any reasonable person it is clear that no one will make thousands and thousands of figurines and bury them deep in the ground to play the public. The collection has special features. It not only contains a single transcript, but ceramic figurines are made of different kinds of clay in different styles and with varying degrees of skill. For the production of figurines would require a huge amount of wood that is in the arid and treeless area Acambaro always been extremely expensive. In addition, such a large-scale production of open burning simply could not go unnoticed.
By 1954, initiated by malevolent criticism collection Dzhulsruda peaked, and this led to the fact that the official science has finally shown interest in it. In Acambaro a delegation of scientists led by the Director of the Department of pre-Hispanic monuments of the National Institute of Anthropology and History by Dr. Edward Nokveroy. Apart from him, the team included three anthropologist and historian. This official delegation itself had chosen the place for the control of excavations on the slope of a hill. They were held in the presence of many witnesses of reputable local citizens. Just a few hours after it was found a large number of statues, similar samples from the collection Dzhulsruda. According to the statement of capital archaeologists found artifacts survey clearly demonstrated their antiquity. Group members congratulated Dzhulsruda with outstanding discovery, and two of them have promised to publish the results of the trip in scientific journals. But it took three weeks, and on his return to Mexico Dr. Nokvera presented the report, which stated that the collection Dzhulsruda is a falsification because it contains statues of dinosaurs. "
So, the first find was made in 1944, during the war, and 6 years old, it may not before. But 10 years later, in 1954, the official science has shown interest to the collection. In my opinion, pretty quickly. In Europe, the term is twice as large.
"Exposing" Dzhulsruda. "It's complicated, and evolved in the future, have always been willing to expose Dzhulsruda. Meanwhile, experts from the United States found that the age of figures ranging from two to five thousand years. The collection contains a large number of stone figures, and all of them have traces of severe erosion. It is virtually impossible to forge. It turned out that the hill of El Toro Indians considered sacred since ancient times. Now the locals claim that there are four tunnels that lead into the interior of the hill. There's supposedly hidden underground city of some ancient civilization. But people try to hide the entrances to these tunnels because they fear that their homes will be subject to unnecessary increased interest in strangers. And American John Tierney, nearly forty years studying materials from Acambaro, is convinced that the collected Dzhulsrudom collection — only part of the huge "library", accompanying the tomb. He believes that the main component of the monument to El Toro to be dumping that is yet to be found. "
It is understandable why the Indians considered sacred hill — these were the remains of another, doindeyskoy civilization. And in that civilization could well be some museums, preserves the memory of a much more ancient times, cultures and ancient history.
The authenticity of the collection according to the scientist. "It should be noted that in 1945, the director of the archeology zone at Acambaro National Museum of Anthropology in Mexico City, Carlos Perez said that the authenticity of the items in the collection Dzhulsruda no doubt. Moreover, he personally ever learn dinosaur figurines found at the scene of some of the ancient settlements of Mexico. In 1978, the federal police confiscated two hunters for antiquities figurines 3300, the style of performance similar to a collection of Dzhulsruda. Among them were nine figures dinosaurs. That's just all of them were found on the hill of El Chivo, also located near Acambaro.
To say that the Mesoamerican Indians lived side by side with dinosaurs, it would be somewhat rash. It is more logical to assume the following. Archaeology is hardly a pastime that only addicted to our contemporaries. Digging up ancient Roman and Etruscan antiquities from the ground is very loved in medieval Italy. We know that is not averse to delve into the strata of sand in search of something very old and have been the subjects of the Egyptian pharaohs. It is possible that their contemporaries in Mexico could be engaged and paleontology, and even very good at spotting them. So much so that pupils in schools in the classroom dinosaur figurines made of clay, sometimes fantasizing and pretending fossil dinosaurs with people. When a ruler, patron of knowledge, died at his disposal have put thousands and thousands of clay figurines and much more. Among other things, were dinosaurs and action figures … But this, of course, only one of the hypotheses "(BOOM).
So, even the journalist believes that the figures are a figment of the imagination … students who lived 4,000 years ago near the modern Mexico City, and paleontological investigations conducted on a much larger scale than the whole of modern academic science put together. Or had so rich and accurate fantasy that they might be called clairvoyants. I believe that both assumptions are quite exotic.
As usual, instead of setting out to explore the mysterious phenomenon, and try to understand the purpose of the figures, both scientists and journalists simply molded arbitrary hypothesis.
I have their research methods — namely, epigraphic. I believe that if you read the labels on some of the image data, they can shed light on the purpose of these figures. But first, however, you should make sure that some inscriptions on the photos are available.
So, I view the image in Fig. 2 (LED, p. 125) and see that certain words are written on the background of cash dinosaur head. The fact that the writing is not on the figure, does not bother me: as long as my job is to see that some letters are accompanied by images dinosaurs. And I have no doubt that this Russian letters and Russian words.
The inscription was malokonstrastnoy though, but it is quite readable. I read the words YARA CAT, where the first word is familiar to the pain, while the second I see for the first time. Of course, the word is not so obviously, there may be errors in the interpretation of the letters, but if this kind of writing, there are other figurines, a false reading can be corrected. The word CAT is nowadays the root verb rolls around, so that the word should mean a vehicle where people skated.
Commenting on Fig. 3 (LED, p. 124), Sidorov said: "Paleontologists believe that demitrodonty lived on Earth in the Triassic period of the Mesozoic Era." It might be. I am now interested in something else: what the inscriptions here. First of all, again, there is an inscription on the background of the tail. She is so thin that I play it as a signature it would be very difficult, and I read the first two words written on one line: CAT Yar. This is — a repeat of what I read above, so that the word CAT has been read correctly. But now I would like to go ahead and read the inscription on a clay figurine itself. This was possible because, right in front of the left hand shows a man well-marked letter P, and the left of the less obvious the letter R. As a result, you can read the word Yar.
Another word, CAT, readable from the nearest person to person, and followed by a dinosaur tooth. So the words, read the beginning of a figure in the background, and now found itself on the figure. And on the back of a man there is a vertical inscription, which should be launched at 90 degrees to the right. Then you can read the words YARA MARY word and the beginning of the expected XP (AM). Usually, the product of the temple of Mara represented the things that put the dead in order that they went with their masters to the light. So my idea of the museum, perhaps, it's not quite true: it is possible that Dzhulsrud came across a burial chamber, which presents traditional items mortuary cult.
A complete surprise to me was the discovery of the body image of the person on the dinosaur hand over relief man and his lower jaw. A close up of the image shows that the person is given in profile, turned to the left, and much closer to the outline of the face of modern man than the face man. He has a long fleshy nose, thin lips, wide mouth, pointed chin, no mustache and beard (clean-shaven man), but that completely knocks out of the saddle — the man on the nose wearing modern type of glasses, and before the stand-up collar is a bow tie! But as the headgear used figurine of a reclining lion — the symbol of Roda or Yara, but before the lion and the head of his written word YAR! This image of God Yar I have never met!
But this picture is further proof of the iconic nature of the findings. Yar God is represented here and in human and animal incarnation. Each image is very realistic: the lion is shown in profile as a whole, and the human face shows all the signs of a high civilization.
The first result. Having considered the first two figures, I come to the conclusion that 1) both the figurines themselves, and in the background, where they photographed the inscriptions, and 2) these labels are made in Russian, and 3) they are associated with the burial ritual; 4) They are also associated with the god Yar, having him most relevant and 5) the dinosaurs themselves, apparently, were called in those days the word CAT, which means MEANS FOR SKATING. Finally, 6) civilization, according to a portrait of Yara, no way inferior to ours: men shaved their faces, wearing glasses, standing collars and bow ties.
Continued research. Fig. 4 depicts a creature that characterized so Sidorov: "A clay figurine reaching for a tree branch herbivorous dinosaur. Apparently iguanodon "(LED s. 123). Here I see two inscriptions — in front of the first and fourth in front of the dinosaur teeth (counting from the top). They form the familiar inscription: YARA WORLD. However, the head itself is also soderditsya two inscriptions, which I read as a CAT Yar. Now I do not leave any doubt that all the dinosaurs at the time called the word CAT.
And here Sidorov gives a lengthy description: "Image Longneck elasmosaurine. The animal to shore. The impression is that it is basking in the sun "(LED, p. 123). Frankly, I shore do not see here, as well as posture, which take a sunbath. However, there are inscriptions here. In the middle of the neck can be detected very deformed face of a man, turn left on?, Whose eyes, nose, form labels YARA CAT. These phrases have now become quite commonplace.
In reference to Fig. 6 Sidorov observes: "The unknown species of dinosaur" (LED, p. 125). I've got interested in writing on the background of the neck, which read WORLD MARY, as well as the inscription on the neck itself: MARA YARA YARA and MARY CAT. This implies that not all dinosaurs were the vehicle Yar also existed katy Mary, but in the WORLD MARY. Thus, apparently, it was the other dinosaurs, an earlier era. Although now it's only a guess.
A rare case of comparison. Now I would like to compare the black-and-white image of one of the figures with color. We immediately see that the black-and-white image is much clearer than with color, and thus reveals the weaknesses of the inscriptions without much eyestrain. Both images were taken by me from the internet, so my participation is to get a more contrasting picture, was not. From this comparison it is clear that in some cases, black-and-white photo for epigraphist gives more opportunities for research than color. Nothing new "on my own" or "off camera" or, especially, "the photographer," she adds. Like the microscope, which increases the small picture, the picture by increasing the contrast, helping people to strengthen slightly visible signs.
So, I start reading. Above the upper left leg I read the words YARA MARY CHURCH. This kind of label we have already met. Then I read the inscription on the back of the IMSI MARY — she talks about the fact that this figure was as sacred attribute at mimes Mary. There is in this place and lettering on a dark light, which is appropriate to read in reverse color — deducted word WORKSHOP (probably Mary). Just below the letters inscribed the word wide HARM (Temple) and then — unknown to me before I sign KATA Janak, that is, the temple of a dinosaur-youngster. It is possible that dinosaurs also devoted temples. — There is also a separate inscription CAT.
At the base of the left hind leg can select the image of the head men from the front, tilted to the right. Eyes open, mustache and beard very thick. Interestingly, the color photos, this part is viewed very badly. On the right eye affixed YAR, which is visible even on the color image, although there is — not very clearly. Inscriptions at the base of the left front leg plotted vertically, and when they turn to the right until it is horizontal form words MASK Yar. This is — very important information is now clear that the CAT (dinosaur) is the clay icon Yar. I note that at the midline of the tail on the color image has a similar inscription, it is not detectable in the black-and-white (where it looks too black). The inscription reads: YARA MASK. Thus, we can assume that the word is read confidently.
Finally, the front of the left front foot dinosaur is a fragment where it is better to read the inscriptions in the reverse color. One of them is this: Kata Yar. It follows that such zoomorphic figurines depicting the face of Yara had many.
Laboratory alternative history
The next figure I borrowed from the image on the site of the laboratory of alternative history, where an attempt was made to communicate with the custodians of these figures. On the journey there, I will give excerpts below, but now comment on the image. Here we see the image of a seated woman who is holding a small dinosaur. On the figure, of course, there are inscriptions.
First I read the inscription on the woman's dress over a dinosaur: MASTER Makazhoi. It means that the data items were considered at the time the works of art. Over a very wide mouth women can read the words YARA MARY CHURCH. It — marking the place where this figure was used. Around the lips and the teeth can be seen inscription WORLD Yar MASK. So that this image was an icon.
In any case, I present another image of the same figures to show that it is impossible to read the inscription. Figure photographed without flash and small parts on it is impossible to identify. Thus we can see that even a color image is not for every case. Here is also another figure of a dinosaur with a strange-looking little man.
More on the same figure dinosaur with scales similar to the bark of a tree, you can read a number of inscriptions: CAT, CAT and CE YARA YARA CAT. All of these words and phrases we've already met.
We now turn to the descriptive part of the same article published on the website Laboratories http://lah.ru/expedition/mexico2007/acambaro2007.htm.
A trip to Mexico. "The aim was previously known: the local museum, which houses a collection of Waldemar Dzhulsruda is still deemed to be in an academic environment fake or counterfeit (details and the details of the collection, see the following page Photobank Laboratories). All because of — the dinosaurs are in the collection are not only close to the man, but also interact with it.
As for reliability, we spotted a museum since the evening on arrival, then the next day he was Director — Miguel — already waiting for us in the morning. Apparently, the affected features of life and the dissemination of information in a small town. And there may be a surprise Miguel because of his museum even know somewhere in the distant Russia … shooting through glass — something unpleasant and inefficient. But Miguel was very contact person, and after a while we already being whirled and dragged showcases ancient statues to light (fearing, of course, something to break). In the midst of the work on the unwinding of showcases and photographing their contents suddenly appeared representative of the local municipality (in the department of which the museum). Acquainted with us, calmed down, and then went into another country for a short while and came back with some items from his private collection — only boast as categorically refused to sell anything. We are more than just drew a ceramic vessel in the shape of a winged dragon and jade statue of the god of fire, on the lower side of which is clearly visible traces of drill pipe …!
Toward the end of the day there was, at last, what we secretly hoped and expected: Miguel started to get figurines of "bins." However, the "bins" were a whole floors of simple plastic boxes, standing in his office (after collection consists of about 20,000 pieces!).
We have considered their mission accomplished for one hundred percent (the more that Miguel gave us a piece of one of the statues for analysis in Russian). But at a friendly dinner together suddenly found out that Miguel is ready for the next day, not only to show us the place finds figurines are now the collection, but also provide an opportunity for themselves to try his luck as he had official permission to dig. No sooner said than done. After dinner, we stopped at the store for entrenching tools, and in the morning rushed to the spot right at dawn. The beautiful half remained in the hotel — after March 8 (but later they are still joined to us, not without pleasure, waving a shovel and Kyle).
At about 10 am, there were representatives of local law enforcement, interested in what they have someone to mean something digs. Politely said hello to us, photographed us narytye pits and retired, quite satisfied with the explanation of Miguel that "crazy gringo looking for Dinosaurs" …
Of course, hope to swoop for success difficult. Dinosaurs, alas, could not be found. But pottery and pieces of obsidian fell in abundance. By noon, they had accumulated a few pounds. Itself, a lucky find was a piece of ceramic figurines — the human torso, which we took with them as of no historical value to archaeologists and historians … "
Well done AJ Sklyarov and AV Zhukov, who were able to take pictures of the collection directly to the museums, and some of the fragments were brought to explore!
Study materials collection. http://lah.ru/expedition/mexico2009/an2.htm. "A collection of sculptures collected by Waldemar Dzhulsrudom and stored in the Mexican city of Acambaro, is the subject of an active interdisciplinary debate of historians, archaeologists, art historians and representatives of other branches of knowledge on the Internet (" Yandex "provides a link to more than 1,500 pages of sites that discuss this topic, and English-language «Googl» is more than 2,600 pages named Waldemar Julsrud).
Subject of controversy — the authenticity of the collection, as it contains exhibits depicting the various types of dinosaurs and compositions in which people interact with the dinosaurs.
However, serious natural-scientific arguments in support of the release of rigging still was not presented — Estimates have been made and are being made on the basis of the "incompatibility" of objects collection of well-known historians and archaeologists artifacts in the area of Mesoamerica, the vast majority of professionals involved in the debate, never had deal directly with the objects of the collection.
The more important and interesting is the information of the expedition A.Sklyarova and Zhukov, emerged from the study of a collection on the spot (in the museum Woldemar Dzhulsruda in Acambaro 15 — 27 March 2009 , ) and a follow-up study of some of the brought samples by semi-quantitative electron microprobe analysis by EDS and X-ray poroshkogramme in the laboratory of the Mineralogical Museum. Fersman RAS . The method of electron microprobe analysis is a form of x-ray fluorescence analysis and characterized by a special method for exciting fluorescence emission by the electron beam. Advantages of using this method, the author describes the study as follows: "In this context it is important that locally the electron beam method is very high, at least two orders of magnitude higher than when excited by X rays (even the best time to present the X-ray devices with a capillary diameter of the spot optics on the target is more than 5 microns) ".
One of the samples were analyzed figure is an unknown animal (Fig. 1). The researcher describes it this way: "A general view of the ceramic figurines (length 18 cm). On the left foot, neck and head are white blooms "."
The study was made the following conclusion: "Such an assessment — a few hundred years — and can be taken as a lower limit on the existence of efflorescence on the surface of samples from Acambaro, consistent with experimental data on instrumental analysis of these samples (see Note below).
Thus, the question of fraud Dzhulsruda collection can be considered closed, and researchers should focus on a meaningful explanation of this collection.
In this regard, it is necessary to bear in mind everetticheskuyu interpretation of this phenomenon as gluing some branches alterversa expressed in  and supported by Zhukov and A.Sklyarovym [9, p.33], which at the moment are the most qualified and most knowledgeable scholars of the historical mysteries. "
In other words, the collection consists of at least several hundred years, and as a maximum — 4000 years.
Drovers dinosaurs. Arguments and Facts number 17, on April 23, 2008. Here is a small excerpt from the article. "At the turn of the 60's and 70's, several pieces from the collection Dzhulsruda were sent for examination to the U.S. universities. The results were striking: a figurine made in the middle of the V, the other — in the beginning of III, two more — in the middle and the end of the II millennium BC! The ancient sculptors, of course, is not going to fool children.
About 15 years ago in the United States for the first time found the remains of sauropods with conical studs on the back that has a small opening. A collection Dzhulsruda stored for half a century figures of this type of lizard with pointed backs. Hence, they sculptured animals from nature, and giant dinosaurs became extinct 65 million years ago and were contemporaries of the ancient Americans.
But why do people sculptured dinosaurs?
Self-portraits of intelligent reptiles. In anticipation of the impending natural disaster and inevitable death, Native Americans (and, remember, perfectly knew astronomy and devised a calendar more accurate than ours, Gregorian) could keep the memory of himself and those around them zhizni.A lived on the territory of ancient Mexico, the representatives of an advanced civilization doing genetic experiments on the removal of the all-time creatures. One of the preliminary phases of this work — fixing those species that existed in nature.
Finally, absolutely fantastic hypothesis that if these lizards were reasonable and giant cities built in the New World — their legs is it? Why would not you? Exploring Mexico and neighboring countries, our reporter came to the conclusion that before the landing of Columbus in the lands of the New World than the Indians lived representatives of all existing races on the planet. And they were so well developed that were able to do, for example, brain surgery. This is — in the next report from Central America. "