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The flagship Morel Fat Lady is, without doubt, the most vivid and memorable acoustics in the line of the company. Morel Sopran is cheaper, but is very similar to the legendary «plump.»

The appearance of the model Sopran truly spectacular and memorable. The contours of the body without actually having a single square centimeter flat surface is easy to discern the signature features of the older model. The body is made of a composite material comprising carbon fiber and fiberglass.

In combination with a complex shape is provided exceptional strength and rigidity of the body. A characteristic feature of the design is the lack of any internal fill and use the linear phase inverter in the mid-section. Thus, according to the developer, you can get the most clean and free sound, as when using an open acoustic design.

The surface of the body is polished by hand and then covered with a glossy piano lacquer, and the base covered in leather. White version, it seems to me, it is more practical because it is much less visible dust and scratches. And this version looks very modern.

Mass housing is pretty massive, and acoustics to obtain a stable, because the center of gravity down. Acoustic design Enclosure Vented, ports displayed on the back of the case, and the holes are the vertices of the convex portions. Apparently, so the manufacturer is struggling with overtones and turbulence encountered when using speakers at high volume.

The bass section, which occupies a large part of the facade, work three 160-mm radiator with diffusers made of special polymer composite with controlled damping properties (Damped Polymer Composite). The shape of the conical diffuser comprises a bulge in the center of simulating large dust cap, but actually all that one one-piece item. The diffuser is mounted on the light titanium frame to which is attached an aluminum sleeve large 75mm long-stroke voice coil. Powered voice coil in the double powerful magnet. Midrange has a similar design and different use technology further alignment impedance.

The tweeter installed in the model Sopran, has increased the size of 28 mm. Its dome is made of a soft material Acuflex. Like other speakers, he is equipped with a voice coil with an aluminum frame. The magnetic system includes a triple-ferrite magnet.

Increased size of midrange and tweeter are not chosen randomly. This allowed developers to set a fairly low frequency sections. Woofers pass the baton has to 250 Hz, and the lower limit of the tweeter has to the mark of 2.2 kHz.

All radiators are covered by individual metal grill, which forms a complex punching pattern, reminiscent of a working grid electric shaver, or a lotus flower (the latter used the association developers, calling his creation Lotus Grille). The chosen scheme is not accidental perforation, location and diameter of the holes specially calculated for optimal sound dispersion. Grills are kept thanks to magnets glued to the speaker basket, so if you want some or all of them can be removed.

Despite the impressive size and a peak power of 1 kW, as stated in the specifications, Morel Sopran is not particularly demanding on the enhancement. Equal impedance and high sensitivity make it possible to experiment in this respect, quite freely, including using a tube model. The big advantage of this is that it is possible to pick up electronics suitable not only for electrical characteristics, but also by the nature of the sound, and even appearance.

When listening, we note immediately branded soft top, middle, and warm expressive deep enveloping bass. The sound acoustics slowly, sometimes even impressively, she has to listen soft music, in which not a single gram of fuss. Cabin jazz, blues is not a quick, half the classics will be performed well. Copes acoustic and electronic music, although the choice of compositions and can be capricious.

Morel Sopran is not only a specific appearance, but not less than the specific nature of the sound. It is worth listening to, and if this model will have a sound you like, long hours of listening pleasure guaranteed.

COMMENT

Frequency response and distortion schedule can not be called perfect, but the speakers turned to the nature, quite naturally reflected in the instruments. Schedule impedance is generally very good, as kept within a very narrow range of values ​​and is not lower than 3.86 ohms. Coupled with high sensitivity it allows you to not limit yourself to your amplifier.

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